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African American --- music [discipline] --- kunstgeschiedenis --- sculpture [visual work] --- drawings [visual works] --- prints [visual works] --- art history --- Art --- easel paintings [paintings by form] --- anno 1700-1799 --- anno 1800-1999 --- United States --- African American art --- Afro-Amerikaanse kunst --- Art afro-américain --- Art noir américain --- 7(7/8) --- Kunst ; Amerika --- African American art. --- Visual Arts - General --- Visual Arts --- Art, Architecture & Applied Arts --- music [performing arts] --- sculpture [visual works] --- Art noir américain --- Afro-American art --- Art, African American --- Negro art --- Ethnic art --- #breakthecanon --- music [performing arts genre] --- United States of America
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prints [visual works] --- Japan --- prentkunst --- Graphic arts --- Royal Museums of Art and History [Brussels] --- #GGSB: Kunst (cataloog tentoonstelling) --- (069) --- 761 --- Europalia 89 ; Japan --- Grafiek ; houtsneden ; Japan ; 17de tot 20ste eeuw --- Japanse prenten ; uit de Koninklijke Musea voor Kunst en Geschiedenis, Brussel --- Kabuki-theater --- 76 <520> --- 769 <493 BRUSSEL> --- 76 <064> --- 733.9 --- 755.1 --- japanse kunst --- (Musea. Collecties) --- Grafische kunst ; hoogdruktechnieken --- Grafische kunsten. Grafiek. Prentkunst--Japan --- Prentenverzamelingen--België--BRUSSEL --- Grafische kunsten. Grafiek. Prentkunst--Tentoonstellingscatalogi. Museumcatalogi --- geschiedenis der schilder- en tekenkunst, overige Oud-Oosterse schilder- en tekenkunst --- grafische kunst, geschiedenis volgens technieken, hout - en linoleumsneden --- Exhibitions --- Prints, Japanese --- Musées royaux d’art et d’histoire (Belgium) --- Prentkunst . Japan --- 769 (52) --- 76 <064> Grafische kunsten. Grafiek. Prentkunst--Tentoonstellingscatalogi. Museumcatalogi --- 769 <493 BRUSSEL> Prentenverzamelingen--België--BRUSSEL --- 76 <520> Grafische kunsten. Grafiek. Prentkunst--Japan --- houtsnede --- Kunst (cataloog tentoonstelling) --- Musées royaux d'art et d'histoire (Belgium)
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Early modern pamphlets serve as an important vehicle for examining print culture, particularly the historical entanglement between the technology of print and a developing capitalism. Attention to the controversies surrounding their circulation reveals that pamphlets became a focus for anxieties about print culture in general. Alexandra Halasz combines close readings of pamphlets by Robert Greene, Thomas Nashe, Gabriel Harvey, Thomas Deloney and John Taylor, among others, with a discussion of the history and deployment of print technology and its specifically English organization as a monopoly. Taking account of the theoretical and historical issues surrounding textual property, authorship and publicity, The Marketplace of Print, first published in 1997, is both a work of historical recovery and a reflection on the ongoing problems of the relationship between the marketplace and the public sphere.
History
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Book history
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Graphic arts
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pamphlets
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anno 1500-1799
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Great Britain
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England
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094.1 <41>
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094:93 <041>
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094:93 <041> Oude drukken i.v.m. geschiedenis--Brochures. Pamfletten. Essays
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Oude drukken i.v.m. geschiedenis--Brochures. Pamfletten. Essays
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094.1 <41> Oude drukken: bibliografie--
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Romeyn de Hooghe was the most inventive and prolific etcher of the later Dutch Golden Age. The producer of wide-ranging book illustrations, newsprints, allegories, and satire, he is best known as the chief propaganda artist working for stadtholder and king William III. This study, the first book-length biography of de Hooghe, narrates how his reputation became badly tarnished when he was accused of pornography, fraud, larceny, and atheism. Traditionally regarded as a godless rogue, and more recently as an exponent of the Radical Enlightenment, de Hooghe emerges in this study as a successful entrepreneur, a social climber, and an Orangist spin doctor. A study in seventeenth-century political culture and patronage, focusing on spin and slander, this book explores how artists, politicians, and hacks employed literature and the visual arts in political discourse, and tried to capture their readership with satire, mockery, fun, and laughter.
Hooghe, de, Romeyn --- Art and state --- Artists --- Graphic arts --- Prints, Dutch --- History --- Hooghe, Romeyn de, --- Criticism, interpretation, etc. --- Politics --- prints [visual works] --- politics --- pamphlets --- anno 1600-1699 --- Netherlands --- Art --- Arts --- Politics and art --- State and art --- Art and society --- Cultural policy --- Education and state --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Visual communication --- Dutch prints --- Government policy --- Hooghe, Romein de, --- De Hooghe, Romeyn, --- Hooghe, Romanus de, --- Hooge, Romein de, --- Hoogue, Romein de, --- Hooge, Romain de, --- Hooge, Romeyn de, --- Hoog, Romeyn de, --- Hoogh, Romeyn de, --- Hooch, Romeyn de, --- Hogius, Romeyn de, --- Hoge, Romeyn de, --- Hogh, Romeyn de, --- Hooghe, Romijn de, --- Marlois, --- 929 --- 949.2.04 --- 096 --- 096 Private presses --- Private presses --- 949.2.04 Geschiedenis van Nederland:--(1648-1795) --- Geschiedenis van Nederland:--(1648-1795) --- 929 Biography. Genealogy. Heraldry --- Biography. Genealogy. Heraldry --- 929 Biografie. Genealogie. Heraldiek --- Biografie. Genealogie. Heraldiek
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Taking the explosion of the screenprint in London in the early 1960s as its starting point, this major exhibition identifies significant strategies exploited by European artists to extend their aesthetic vision within the mediums of prints, books, and multiples. Seminal figures such as Richard Hamilton, Joseph Beuys, Marcel Broodthaers, and Georg Baselitz serve as anchors to sections that explore commercial techniques, serial abstraction,anguage, confrontational approaches, and the expressionist impulse. Concentrations of prints and books by Hanne Darboven, Mangelos, and Dieter Roth, among others, introduce work rarely shown in the United States and attempt to characterize distinctly European voices. Posters by Martin Kippenberger and Franz West reveal the exuberance of that medium, and wallpaper by Sarah Lucas, Peter Kogler, and Damien Hirst exemplify the recent fascination with this populist printed format.The contemporary section includes projects by younger artists from Eastern and Westernurope and showcases the creativity being channeled into printed art by today's generation. Comprising over three hundred works, including domestic and international loans, this exhibition is the first museum study of this innovative and lesser-known facet of contemporary art. The exhibition is accompanied by a major publication.(http://www.moma.org/exhibitions/2006/EyeOnEurope.html)
Livre --- Livre-objet --- Multiple art --- Deborah Wye, Wendy Weitman --- multiples --- offset --- Armleder John M --- Art & Project Bulletin --- Atelier Populaire --- Banner Fiona --- Baumgartner Christiane --- Benzaken Carole --- Blais Jean-Charles --- Brehmer KP --- Brossa Joan --- Brus Günther --- Canogar Rafael --- Chapman Jake --- Chapman Dinos --- Claus Carlfriedrich --- Clemente Francesco --- Closky Claude --- Craig-Martin Michael --- Dant Adam --- Décollage --- Douglas Helen --- Equipo Cronica --- Fahlström Oÿvind --- Feldmann Hans-Peter --- Fijalkowski Stanislaw --- Finlay Ian Hamilton --- Fritsch Catharina --- Fulton Hamish --- futura --- Gorgona --- Hidalgo Juan --- Howson Peter --- Immendorf Jörg --- Interfunktionen --- IRWIN --- Kassettenkatalog --- Keser Ivana --- Kiefer Anselm --- Kirkeby Per --- Kogler Peter --- Krater und Wolke --- Lassnig Maria --- Lincoln Paul Etienne --- Lüpertz Markus --- Mangelos --- Mattheuer Wolfgang --- McCail Chad --- Messager Annette --- Migrateurs --- Morrison Paul --- Muntadas Antoni --- Museum in Progress --- Noble Paul --- OHO --- Parkett --- Petterson Simon --- Penck A.R. --- Perjovschi Dan --- Perry Grayson --- Petasz Pawel --- Plensa Jaume --- Point d'ironie --- Raetz Markus --- Stokes Teifer --- Tilson Joe --- Tishkov Leonid --- Tot Endre --- Vostell Wolf --- Whiteread Rachel --- 76.036 --- prentkunst --- boekkunst --- Book history --- Graphic arts --- hedendaagse kunst --- Contemporary [style of art] --- prints [visual works] --- artists' books [books] --- kunstenaarsboeken --- anno 2000-2099 --- anno 1900-1999 --- Long Richard --- Lucas Sarah --- Manzoni Piero --- Monk Jonathan --- Morellet François --- Muehl Otto --- Nicolai Olaf --- Nitsch Hermann --- Opie Julian --- Palermo Blinky --- Paolozzi Eduardo --- Penck A.R --- Penone Giuseppe --- Polke Sigmar --- Rainer Arnulf --- Richter Gerhard --- Riley Bridget --- Roth Dieter --- Shrigley David --- Spoerri Daniel --- Trockel Rosemarie --- twintigste eeuw --- Vautier Ben --- Wearing Gillian --- West Franz --- zeefdruk --- 7.038 --- 766.036 --- Arman --- Art & Language --- Baselitz Georg --- Beuys Joseph --- Bock John --- boeken --- Boltanski Christian --- Broodthaers Marcel --- Buren Daniel --- Caulfield Patrick --- Christo --- Darboven Hanne --- Dean Tacita --- de Saint-Phalle Niki --- Doig Peter --- eenentwintigste eeuw --- Eliasson Olafur --- etskunst --- Europa --- Filliou Robert --- Fleury Sylvie --- Freud Lucian --- Gilbert & George --- Gillick Liam --- grafiek --- Hamilton Richard --- Hatoum Mona --- Hirst Damien --- Hockney David --- Kippenberger Martin --- Klein Yves --- Knizak Milan --- kunst --- Langlands & Bell --- lithografie --- Art, Multiple --- Multiples (Art) --- Art, Modern --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Art --- Visual communication --- History --- Couverture de livre --- Graphisme --- Imprimerie --- Prints, European --- Artists' illustrated books --- Graphic arts - Europe - History - 20th century --- Graphic arts - Europe - History - 21st century --- Multiple art - Europe
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